February 16, 2010

Exclusive Interview with Charlie Watts

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February 14, 2010

ROY BUCHANAN

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ROY BUCHANAN

Found this album at a street sale years ago for a dollar. Seemed like stealing. The jacket was a bit worn, though the vinyl itself was in perfect condition as if it had only been played a few times and then tucked away like a secret.

Much like the man himself.

Awe inspiring notes were wrenched from his telecaster with the soul of someone who had seen a thousand lifetimes. All of the music you encounter here is extremely warm and real. Better yet, rough spots and miscues are not edited away. Country and blues are taken to some amazing places as strings are bent, pinched and played with a precision that won him the respect of his peers.

Hammond organ with a short spoken word intro brings you into the stunning "The Messiah Will Come Again", an instrumental that is the centerpiece of these tracks. It is indescribably moving and I listen to this whenever my spirits need a lift.

Curiously, he was largely unknown during his lifetime. Those that did have the pleasure of being acquainted with his considerable talents still treat him with reverence. He was an early mentor to Robbie Robertson, while Eric Clapton, Jeff Beck and a host of other great musicians frequently sang his praises.

Buchanan checked out on my twentieth birthday and the circumstances of his passing have since been the subject of rumor.

That he was gifted remains without doubt.

February 13, 2010

Davey Knowles - tears down the walls at red rock!

Davey Knowles is phenomenal.  I've written about him many times before, here's a post from when I saw him this summer.

(This one's for you, Tom D.)





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February 12, 2010

John Mayall, The Turning Point


If you want to really groove out to some drummerless rippin blues music. Give this album a listen. Most of you have probably heard of John Mayall and the Bluesbreakers. The members of the Bluesbreakers over the early years were many and a virtual who's who of future classic rock stars.

Eric Clapton, Jack Bruce, Peter Green, John McVie, Mick Fleetwood and many, many others cut their teeth in a band that was led by a man who was as gifted a talent scout as he was a musician. John Mayall attracted the best and early albums tell the tale of some great jams.

The Turning Point was a turn in a somewhat different direction from the Bluesbreakers. This album still contained the blues John was known for and loved, but what it did not have was any percussion instruments. Unless, of course, you consider the bass guitar and harmonicas percussion. This was recorded live, July 12 1969 in New York at Bill Graham's Fillmore East.

It featured Mayall on vocals, harmonicas, slide guitar, telecaster 6 string guitar, tambourine and mouth percussion. Jon Mark on acoustic finger-style guitar. Steve Thompson on bass guitar and Johnny Almond on tenor and alto sax, flutes and mouth percussion.

If you do give it a listen, do listen for the interplay and empathy. Sometimes, perhaps only one member is playing, then the others join in gently, building up to climaxes that sound all the more exciting for the restraint that went before it. All of this after only four weeks experience of each others playing.

This album was my first introduction into the blues scene. No better album to become a blues disciple. Again, thanks to Layla for giving me a chance to share my favorite albums. Please listen and enjoy!









My Beat Club - I`m Gonna Fight For You J.B. on MUZU

Just added this video I found. Pretty cool and definitive of the sound they were going for.
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February 11, 2010

Music's Greatest Generation, 1964 -1980

Guest Post by Charlie at Bloggerythms

Reflecting back on the history of popular music I have come to the conclusion that not only was much of the best pop music of the world produced during the period from 1964 to about 1980 but that is also the era in which pop music was most revered. I contend that never before in history has music meant so much to a single generation. It is a phenomenon that may never happen again. Even allowing for the fact that this is the era I grew up in, and came of age in, (and therefore I may look upon it with both prejudice and some fondness) I still believe my thoughts are accurate. This premise is strictly based on my observations. I have no hard data.

During that decade and a half poets and literary types embraced popular music. Folk music became mainstream. Could Joni Mitchell, Joan Baez, and Peter Paul & Mary get played on rock radio today? Radio embraced them all in the 60s. Jazz made the pop charts. Could Miles Davis be played on rock music stations today? He was then. Progressive rock was heavily influenced by classical music. There were many social commentary and political songs. The British invasion was the first and only time music from another country would dominate the American airwaves and sales charts. I could go on and on. This eclecticism contributed to music’s popularity during this era. Motown, Stax-Volt, Southern California country-rock and folk-rock, British prog-rock, good ol’ boy southern rock, and more, were all played on popular music radio together and they could all be enjoyed by the same listener.

It all began when The Beatles stormed the world beginning with their Ed Sullivan appearance in February of 1964 and this love of music continued until most of the artists who came of age in the 60s began to peter out. The end of the 70s and the dawn of the 80s saw the break up of Led Zeppelin, The Band, and The Who. Jon Anderson left Yes. Elvis left the building for good. John Lennon was assasinated. Lowell George died. There are lots of other examples, too many to mention. Punk and disco were taking over.

Why will a love of music that went beyond the norm be unlikely to happen again in future generations? There are a multitude of reasons. Here are a few.

1 - Computers And Video Games. Do you remember going to a friends dorm room or house and sitting around listening to and discussing music? Today the kids born of my generation will go over to their friend's house and play video games instead. They may listen to music but they have other interests.

During the era I'm speaking about music often was the reason friends got together. The music was the event. Listening was often so intense that friends would gather around the stereo just as families gathered around the TV. While today's kids may be listening they are probably more focused on other activities such as computer games. During the era I am talking about there were no PCs, VCRs, or DVDs. No one had heard the name Atari.

I had friends who would invite me over just to hear a new album they purchased. That is how I was introduced to Terry Kath's extended solo on Chicago's "25 or 6 to 4." Before that day the single version of the song was all I knew. I'll never forget it. Today that kid extending me the invitation would probably be asking me to come preview his new X-Box video game.

2 – Radio. Radio is too fragmented today. There was a time a top 40 station could play The Rolling Stones, followed by Frank Sinatra, followed by The Temptations, Neil Diamond, The Allman Brothers Band, Johnny Cash, The Four Seasons, and James Brown all in a row. We were exposed to a lot of different genres of music. That won’t happen today. Demographics now dictate that ratings aren't enough. Radio stations aim for a target audience. Therefore a station that plays Norah Jones most likely isn’t playing Radiohead too. If a station plays Michael Bolton they won't be playing Eminem.

3 – The Beatles. There is no icon like the Beatles today. Love them or hate them no single artist has ever taken over our culture like the four young men from Liverpool, England did. They not only influenced our music but all youth culture in general. The main reason men and boys of the mid-60s to about 1980 wore their hair longer is because of the Beatles. They also caused a lot of kids to take up music as a hobby.

4 – The Political Atmosphere. The Civil Rights Movement, Viet Nam, and Watergate combined to force a lot of people with something to say to find an acceptable outlet for expressing how they felt. A lot of this spilled over into the music of the day. It isn't a coincidence that this musical era started to decline after America settled down beginning with the age of Ronald Reagan.

5 - MTV. It's birth twenty-five years ago may have had more influence on the decline of this era than many realize. The popularity of music videos frequently made it impossible for the viewer/listener to separate the video images from the music. MTV helped spawn the Ashley and Jessica Simpson types who are everywhere today. Image and appearance seem to be more important than the music. Way too many musical acts of today are pre-packaged with both visuals and image in mind.

I am not stuck in my era. I'm not a music fan who dislikes everything that was recorded after I graduated from college. There is still an abundance of outstanding new music everywhere, there always will be, but to have a culture in which music permeates so much of our American society as it did in 1964, and have it last almost a generation, is not likely to happen again anytime soon.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

February 9, 2010

Savoy Brown



Finally my frickin computer is back online! While I was away I was looking at my office wall with this album in a frame and wondered if anybody remembers it? God I love this one. Just the right amount of rockin blues for me. Dont try and keep up with the changing band members as they were many. The only constant was Kim Simmonds. My understanding was he was a bitch to work with but when you listen to his music it really pays off.

Let me know your feeling on this band.




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February 5, 2010

Twelve Dreams of Dr. Sardonicus




This is one of the first "psychedelic" albums I ever listened to. I really loved it right from the very first time I heard it back in the mid 70's. It was released in 1970. The group as it was then broke up shortly after its release. The band has been together in some form since the early days. The groups leader, Randy California, died in 1997 while surfing and Spirit essentially ceased to exist. He died while saving his son who was surfing with him.

Randy was the main creative force behind the band with Ed Cassidy on drums. Ed's signature bald head was the impetus for the song "Mr. Skin". Also in the early band was Jay Ferguson, who went onto a solo career after a 3 year stint with the band Jo Jo Gunne. Rounding out the band were John Locke on keyboards and Mark Andes (who followed Jay to Jo Jo) on base guitar.

Randy was heavily influenced by and earlier played with Jimi Hendrix before Hendrix was Hendrix in Jimmy James and the Blue Flames in 1966. He also influenced none other than Jimmy Page early in his career as well. Ed Cassidy was nearly 20 years older than the rest of the band having earlier played with Taj Mahal and Ry Cooder. Jay Ferguson's later solo career brought him a huge hit in "Thunder Island".

Twelve Dreams was a monumental recording produced by David Briggs who was recommended by Neil Young. The concept was a sci-fi, psychedelic masterpiece. Spirit fused elements of jazz, folk and rock, but also introduced a new "space rock" element. This album also introduced the newly developed Moog synthesizer.

My personal favorite song could be the anthem for the current environmental movement. The whole album has a real cool sound that your trip was enriched by listening to. Give "Natures Way" a listen yourself right here. Enjoy!




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February 4, 2010

THE GUESS WHO

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LIVE AT THE PARAMOUNT

Recorded in Seattle, during a two night tour stop (May 1972), the band is captured in excellent form and pristine fidelity. High in quality, this energetic performance is bolstered by fantastic interplay between the two guitarists, an atomic clock anchoring the rhythm section and the prodigiously talented Burton Cummings fronting the outfit on keys. He tickles the 88s masterfully throughout, adding a lot of color to the programmed "hits" as well as some deeper album tracks.

Big block harmonies in the bridge of "Running Back to Saskatoon" , the bounce in the rearranged "New Mother Nature" and variety in song choices will keep any serious listener interested in this album. Donnie McDougall and Kurt Winter get special mention for resisting volume contests that overpower the arrangements. When they do crank, it's always tasteful and in context.

Randy Bachman's exit from the band in 1970 left a huge void, though they made it past the momentary crisis and soldiered on with a revamped lineup.

Dynamics are the key to the sound that these road tested pros created. Cummings nails everything he touches here, undoubtedly the result of hours of work as de facto bandleader.

How about those "Glace Bay Blues"? (Let's here it for Gary and Blair MacLean!)

Originally, the disc appeared in truncated form, with only seven songs, though the full set was released in 2000.

In a time when homogenous, studio dependent bands that barely cut it are ubiquitous, it's fantastic to listen to a group that really had it together. Here's a TV spot that demonstrates what made these guys great, with zero fakery.



Kurt Winter, RIP.

February 3, 2010

The Roots of Rock and Roll



IMO, it really all started with Muddy Waters:

The revolution began inauspiciously enough in 1948 with the release of a 78-rpm single by a singer-guitarist called Muddy Waters. Coupled on Aristocrat 1305 were a pair of traditional Mississippi Delta-styled pieces "I Cant Be Satisfied" and "I Feel Like Going Home," and on them Waters' dark, majestic singing. Waters' use of amplification gave his guitar playing a new, powerful, striking edge and sonority that introduced to traditional music a sound its listeners found very exciting, comfortably familiar yet strangely compelling and, above all, immensely powerful, urgent.

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February 1, 2010

Rock Gods Didn't Win

The Grammys were held last night and I felt compelled to announce one award they got wrong. Here is a video of a close facsimile of the nominated song/group, in concert. They were nominated for "Best Rock Performance by a Duo or Group"




It is awful hard to get any of the awards right if the best are not nominated (some of the best were by the way), although I cant argue with what the buying public keeps shelling their hard earned dollars on. The most generic, most bland, most artistically challenged dregs of the music world. My son loved the Lil Wayne-Eminem-Drake performance. We couldnt listen to half the song due to its profanity laced, excised time on the stage. How much do you really have to grab your crotch anyway? Pants on the Ground....Pants on the Ground.....Pants on the Ground!

Well I hope you enjoyed the video. These guys are the epitome of what rock and roll is all about and I'm glad I know their music. They sure dont make em like they used to.

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